Tag: fabulous moolah

The WWE loves to rewrite history in its own image. They want you to believe that Bruno Sammartino was a greater champion than Lou Thesz. They want you to believe Andre the Giant never lost a match until Wrestlemania III. They want you to forget that Chris Benoit ever existed.

You get the idea.

The WWE is about to present its first all-women’s tournament, the Mae Young Classic. While there’s no question that Mae is a legend and a beloved figure within the WWE, naming the tournament after Mae is another subtle step to covering up the true history of women’s wrestling in favor of the WWE line.

I won’t disagree with those who say Mae Young is one of the greatest stars in women’s wrestling history. Mae was already a Hall of Fame- worthy star when Vince, Jr., was just in diapers, a gorgeous but violent gal who smoked cigars and picked fights with men in bars just to blow off steam. My issue is with the larger narrative the WWE has sold for years about women’s wrestling. It’s not about Mae; it’s about the lady the WWE sells as the “greatest” of all time.

You see the WWE wants you to believe that in the history of women’s wrestling, only one women stands above Mae’s legacy: the Fabulous Moolah. The WWE line is that Moolah was the greatest women’s champion of all time, reigning for 28 years straight. Moolah was the pride of Vince McMahon, Sr., and the gatekeeper for women’s wrestling for more than three decades. If you wanted to get into the business, you better get in good with Moolah, but don’t dare cross her.

Here’s what the WWE won’t tell you: Moolah was never a main event star. Moolah didn’t work two out of three falls matches multiple nights every week. Moolah did not pack auditoriums and stadiums from coast to coast based on her name alone.

Long story short: the Fabulous Moolah was no Mildred Burke!

For the better part of three decades, Mildred Burke was not only the top star in women’s wrestling but one of the biggest names in professional wrestling, period. Burke was a single mother living in Kansas when she met former wrestler turned promoter Billy Wolfe. Burke knew Wolfe was in the business promoting women’s wrestlers, and she saw an opportunity to give herself and her son a better life. Wolfe thought Burke was too small, and when she came in for a tryout, he handpicked a group of men to rough her up and send her packing. Burke took the beating and impressed Wolfe in the process, so Wolfe took her under his wing and trained her.

Burke began her career in the ring working the carnival circuit taking on all comers, including men. She allegedly wrestled more than 200 men in those early days, losing only once. She defeated Clara Mortenson to claim the women’s world champion, and her rise to the top began.

Wolfe knew he had a star in Burke, and he began to build a company of women’s wrestlers around her, including Ida Mae Martinez, Mae Weston, Gloria Barratini, June Byers, Gladys “Kill ‘Em” Gillam, and of course, Mae Young. Burke was a powerful and dynamic athlete who impressed the fans with her skill but could still dazzle them with her beauty and fashion sense.

Wolfe and Burke dominated the women’s wrestling scene from the late 1930s into the 1950s. They were married, but their marriage was more of a business arrangement than a vow of love. Burke had her affairs, including Billy’s son. Billy slept with numerous members of his troupe, anyone willing to trade sex for an advancement in their career.

The names at the top of the cards changed over the years, and most of the ladies had their shot working the big matches, including Mae Young. The one constant, however, was Burke, who proved without a doubt she was the top draw and the top talent in the group.

Burke’s run at the top ended shortly after her marriage to Wolfe, a bitter war culminating in a shoot match between Burke and Wolfe’s specially trained successor, June Byers. The match ended in a no-contest, with only one fall out of two decided against Burke. Burke and Wolfe both lobbied the NWA to be recognized that the go-to for women’s wrestling, but the NWA chose to wash its hands of both of them. Burke was blackballed by most of the promoters. Byers retired as champion, never becoming the money draw Burke had been.

The door of opportunity opened, and Moolah and her supporters seized the moment.

There are many reasons the WWE chose to push the Moolah’s revisionist history. Moolah had an axe to grind with Wolfe, who refused to let her take time off for her father’s funeral. Mae had her own axe to grind with Burke, whom she never got along with. Moolah and Mae pushed their version of women’s wrestling history in the documentary “Lipstick and Dynamite,” and the WWE furthered that story in their own programming and publications. To hear Moolah and Mae tell it, Mildred Burke was protected by Wolfe. Burke was no better a shooter than anyone else in the troupe. Both Moolah and Mae could have taken the great Mildred Burke down – had they only been given the chance.

History is written by the victors, and in some cases, by the survivors who live the longest. Burke’s star faded long before he death. She passed away in 1989, leaving no one to defend her legacy. Mae and Moolah were given a platform, and they rewrote the history of women’s wrestling in their own image.

Here’s the truth: without Mildred Burke, there is no Mae Young. Without Mildred Burke, there is no Moolah. Recent years have seen a great surge in the popularity of women’s wrestling, first in the independents and now in the WWE. But make no mistake: Burke reigned as Queen of the Ring in an era that to this day has not been surpassed.

I don’t want to diminish anyone’s enjoyment of the Mae Young Classic. Despite a few serious omissions (LuFisto, Mickie Knuckles, Kelly Klein), I am looking forward to the tournament as much as any women’s wrestling fan. I just want fans to be mindful of the WWE line and find out for themselves the true history of this sport.

Moolah is a Hall of Famer. Mae Young is a legend. But Mildred Burke is still the Queen of the Ring.