The Champ vs. the Human Orchid… it happened in Louisville. Thesz and George met on November 27, 1954 at the Jefferson County Armory (now the Louisville Gardens).
Thesz and George split the first two falls, but George refused to come out for the third fall while a “physician” examined George’s injuries. The unidentified medic said he believed George could go on, but George was reluctant. He finally decided to go to the ring, but as he was making his way to the ring, referee (and LPD homicide detective) Ellis Joseph was already raising Thesz’s hand, declaring him the winner.
Earlier in the evening, “The Mask” defeated New Albany native Stu Gibson via DQ, Sonny Meyers drew with Johnny Valentine, and Billy Blassie defeated Sgt. Buck Moore. 4200 attendance.
Below is the Saturday newspaper ad for the big event, plus a page from a notebook kept by then-teenage fan Jim Oetkins, recording the results from the night.
For 22 years, the Allen Athletic Club’s weekly wrestling show at the Columbia Gym was the place to be on Tuesday night. Promoters Heywood Allen and his successors Francis and Betty McDonogh overcame the Great Depression, the 1937 flood, a World War, and a “crooked” athletic commissioner to bring the best of the golden age of wrestling to Louisville.
Now for the first time, author John Cosper (Bluegrass Brawlers) presents the full story of “That Gang of Allen’s,” the wrestlers, referees, announcers, and others who made Tuesday Louisville’s favorite night of the week. This is the story of the true golden age of wrestling, when men and women wore their Sunday best to see hometown heroes like Blacksmith Pedigo, Kid Scotty Williams, Stu Gibson, Mel Meiners, Sgt. Buck Moore, and “The Black Panther” Jim Mitchell mix it up with Lou Thesz, Gorgeous George, the French Angel, Buddy Rogers, Freddie Blassie, Johnny Valentine, Mildred Burke, Mae Young, Bobo Brazil, and Ginger the Wrestling Bear.
From mud matches to masked men; from Wild Bill Cantrell to Wild Bill Longson; from live TV to live alligators, the Allen Athletic Club was Louisville’s Greatest Show. This is the story of Louisville’s first great wrestling promotion and the families that made wrestling a vital part of the city they loved.
Louisville’s Greatest Show will be released in March!
John Strange didn’t choose wrestling. Wrestling chose him. At age 15 he found himself at an independent wrestling show that looked nothing like the wrestling he knew from TV. It was bad. Really bad. It was so bad, he turned to the person next to him and said, “I could do better than that.” A gentleman seated behind him leaned forward and said, “Prove it.”
John’s challenger turned out to be a wrestling promoter who had his own training school. So at age 15, John Strange began his journey into the world of professional wrestling.
One of the promoters John worked for in the early days was a Earl Kelly, who started running shows in Kentucky during the late 90s. Strange met Earl’s daughter Alicia, and the two got married.
Kelly packed up and left Kentucky in the early 2000s for Florida. He returned a few years later and tried to pick things back up where he left off, but things didn’t go as well as he’d hoped. Kelly closed shop, and when he did, the Stranges bought his ring.
“We just thought it would be fun to have a ring in the backyard,” John Strange recalls. “But then fans started showing up at our door. They begged us to run shows. They wanted us to start a promotion. One fan even tried to hand us $1000 cash to go toward applying for a license.”
Once again, wrestling was calling. John and Alicia decided that they would give it a go, and New Origins Wrestling was born.
John and Alicia opened the promotion in Alicia’s name, and the second generation promoter proved to be a natural for the business side of wrestling. “She does all the promoting and handles all the business side. She learned well from her father.”
New Origins prides itself on being one of the most fan-friendly promotions running today. “When you see us on television, you’ll notice we don’t play to the camera. Our focus is always on the fans. We want to give them the best show possible because they’re the ones paying money to see us.”
New Origins is also very in tune with what the fans are saying, and Alicia Strange is always ready to listen. “I think being a female promoter is an advantage for her,” says John. “Fans aren’t as intimidated by her as they might be a male promoter. They have no trouble going up to her, saying hello, or making suggestions.”
New Origins also prides itself on giving back to the community, using their shows as fundraisers for Toys 4 Tots, local fire departments, and other worthy causes.
New Origins has a regular cast of local stars on its roster, including the Soviet Stud, Stevie P, Chris Noble, and the 4 Real Rejects Izzy 4 Real and Devon Blake, but they love to feature the best talent possible, not only in the region but the nation. John Morrison, Davey Richards, and Mad Man Pondo are just a few names who have made their way to NOW to be part of the action.
New Origins runs monthly shows in Irvine, Kentucky and is currently taping new episodes for broadcast on the TEN Network for Roku. You can also follow them on their Facebook page.
Time was when the Louisville wrestling fans could go and see John Cena, Randy Orton, Brock Lesnar, Batista, Shelton Benjamin, and dozens more future stars for free every Wednesday night. OVW re-posted this classic on Facebook last night, and I thought it was worth sharing here.
Three years ago, I sat across a table from an official at a top name wrestling promotion in Kentucky and listened to him dog the multiple Indiana promotions across the river. They were no good, he said. Their wrestlers were no good. They could never work in Kentucky. They were backyard wrestlers, and they and the promotions they worked for were bad for business.
Over the last several months, a number of those no good, backyard wrestlers have made their way across the river to the name promotion. The quality of that wrestling product has gone up. So, I expect, will their business.
I’m not going to name this promotion right here. I’m not writing this to bash them, or the official. I want you to support them as much as the promotions he refused to acknowledge by name because if you are a true wrestling fan, they all need and deserve your support.
As the WWE continues to grow its brands, from Raw down to NXT, it will continue to cherry pick the best of the best from groups like the Kentucky promotion I mentioned. Cream rises, and it’s not too far-fetched to think some of those renegade Hoosier wrestlers will one day reach ROH, NXT – or higher.
Independent wrestling is back, and yes, some of it is pretty darn good. And as I’ve pointed out before, it’s much less expensive to go an support an indy promotion than it is the WWE.
A year or so ago, I wrote the following story for a book project I have since set aside. In honor of the recent passing of Muhammed Ali, I thought it would be fitting to share this.
He was the greatest fighter of all time. He was the undisputed sportsman of the 20th century. He appeared on more Sports Illustrated covers than anyone, including Michael Jordan. In a span of twenty one years, he won a gold medal, three world championships, and a total of 53 matches with only five losses. He survived a three and a half year exile enforced on him by his own government and returned in even greater form than before.
If you walk through the Ali Center in his hometown of Louisville, Kentucky, you’ll learn about his early life. You’ll learn about the prejudice he faced as a child. You’ll learn about his conversion to Islam. You’ll learn about his many accomplishments as a fighter and as a champion for peace around the world. You can even sit and watch many of his most famous bouts in their entirety.
Still, there’s one match missing from this museum, one match that the champ and his people would like everyone to forget. It’s a match that everyone wanted to see but no one wants to remember, a match that reflected some of the great inter-fight matches of the past and foreshadowed the rise of MMA fighting some twenty years later. The match that took place in Japan in 1976 pitted the Greatest, Muhammed Ali, against a legendary Japanese fighter, Antonio Inoki.
Inoki was not a boxer. He was a professional wrestler. He stood 6’3” and weighted 240 pounds in his prime. Inoki trained with legends like Karl Gotch and Rikidozan. He began his fighting career in 1960, the same year young Cassius Clay (later Muhammed Ali) rose to national prominence in the United States. After eleven years fighting for the established Japanese promotions, Inoki struck out on his own to found his own promotion, New Japan Pro Wrestling.
Inoki was a professional wrestler and Ali a professional boxer. In days long past, the two disciplines went hand in hand, in the ring and out. In the late 19th century, William Muldoon faced off in the ring with his good friend, boxing champion John L. Sullivan. Wrestling champion “Strangler” Lewis had a close friendship with his contemporary, boxing champ Jack Dempsey. Lou Thesz was never shy about his friendship with African American boxing champion Joe Louis. By the 1970s, however, the two sports had long been divided. Boxing promoters refused to be categorized along side the sideshow of professional wrestling, while wrestling promoters doggedly insisted their sport was no less real than boxing.
A match between Ali and Inoki might never have happened if Ali hadn’t made the boast that, after beating men from nearly every other country in the world, he was looking for a champion from Japan. In an April 1975 meeting with Ichiro Hatta, the president of the Japanese Amateur Wrestling Association, Ali laid out the challenge. “Isn’t there any Oriental fighter who will challenge me? I’ll give him one million dollars if he wins.”
Inoki, as savvy a businessman as he was a grappler, saw an opportunity, and he challenged Ali to a fight. Inoki had already engaged in some mixed fighting competitions, most notably the 1972 Munich Olympics judo gold medalist Wilhelm Ruska. Inoki wanted to be viewed as a legitimate fighter, but there were some in the press who refused to be convinced the Ruska bout was not staged. Inoki saw an opportunity to be legitimized in the eyes of the press and the world, so when Ali made the challenge, Inoki answered him, offering Ali a pay day of six million dollars.
The money was a big factor in getting Ali to agree to the match, but Ali’s childhood attraction to the sport of professional wrestling likely played a role as well. Ali learned to fight at the Columbia Gym in downtown Louisville, where Heywood Allen and the Allen Athletic Club held wrestling exhibitions every Tuesday night. Young Cassius Clay might easily have seen Lou Thesz, Buddy Rogers, Baron Leone, “Classy” Freddie Blassie, “Wild Bill” Longson, and his hero Gorgeous George competing in the same building where he trained.
Ali was also well aware that professional wrestling as a work with pre-arranged finishes designed to tell a good story. What Ali didn’t know was that in his case, Inoki had no intentions of working Muhammed Ali. As far as Inoki was concerned, Ali’s boast as an insult to his country and his people. Inoki was a professional wrestler, but he was also a shooter, and he had every intention on humbling the Heavyweight Champion of the World.
Promoter Bob Arum, who also masterminded the Snake River Canyon jump of Evil Knievel, was brought in to help promote the fight that was broadcast on closed circuit TV in the United States. A pair of wrestling promoters from New York got involved and paired it with another boxer-vs-wrestler match to take place the same day at Shea Stadium between Chuck Wepner and Andre the Giant. The promoters were Vincent J. McMahon and his son, Vincent K. McMahon.
Arum was just as much in the dark about Inoki’s plan as Ali’s people. In fact he reassured worried members of Ali’s camp that they had nothing to worry about. “Professional wrestlers are performers. The thing is a fraud.”
Said Ali’s doctor Ferdie Pacheco, “Ali’s fight in Tokyo was basically a Bob Arum thought-up scam that was going to be ‘ha-ha, ho-ho. We’re going to go over there. It’s going to be orchestrated. It’s going to be a lot of fun and it’s just a joke.’ Well, when we got over there, we found out no one was laughing.”
Ali’s managers had reasons to be worried. The 1975 “Thrilla in Manilla” versus Joe Frazier had taken a huge toll on Ali’s body. In total, Ali had taken punishment from seven Hall of Fame fighters in his career. Doctors began advising the champ in 1975 that he needed to hang up the gloves sooner rather than later, citing severe damage to brain and kidney tissue as their chief concerns. Ali would continue to ignore this advice for another five years, facing one more Hall of Famer, Larry Holmes, on his way out.
With Arum’s reassurances that the champ would suffer no real damage, Ali made his way to Japan in the summer of 1976 for what he believed would be a fun and easy pay day. Ali even brought a special guest along to be his ringside manager, another of his childhood wrestling heroes, “Classy” Freddie Blassie.
Ali arrived on June 16, and the two competitors met for the first time at a lunch party for the media. Ali gave one of his trademark speeches, telling the world what he would do to Inoki at Nippon Budokan Arena. He nicknamed Inoki “The Pelican” because of Inoki’s “Big bullseye chin.” Inoki responded, “When your fist connects with my chin, take care that your fist is not damaged.” Inoki also handed Ali a gift, a wooden crutch to use after Inoki threw him from the ring.
There are conflicting stories as to how and when it was decided the match would be a shoot. Some in Ali’s camp claim that they were sold on the match being a work, but that Ali balked at the plan when he was told that Inoki expected him to lose. Fight journalist Jim Murphy says the finish called for Ali to accidentally knock out the ref. Ali would then check on the ref’s condition, allowing Inoki to get the quick roll up for a pin. Inoki would get the victory, but Ali would save face by being the good guy, concerned for the safety of the ref.
Inoki’s camp insisted the match was always intended to be a work. Ali only learned of this when he went to see Inoki train.
“OK, so when do we do the rehearsal?” Ali asked.
“No, no. This isn’t an exhibition,” replied Inoki. “It’s a real fight.”
However the decision/revelation took place, Ali’s team went to work renegotiating the rules of the fight. Ali, being the bigger name, had the upper hand in these negotiations, and the rules came out very one sided. Inoki would not be allowed to duplex Ali. He could not head-butt Ali, knee him below the belt knee blows, use open hands, or kick Ali over the belt.
Inoki was disappointed. Essentially, Ali’s people wanted him to go into the ring and be a punching bag. Inoki decided to take the matter lying down – literally. The result was one of the most memorable and boring and embarrassing bouts in fight history.
As soon as the bell rang, Inoki slid on his back and started to kick Ali. Inoki stayed there for most of the firs round, keeping Ali and his deadly fists at bay by kicking wildly at the champ’s legs.
The awkward battle continued round after round, with Inoki staying low and aiming for Ali’s legs, his only viable means of offense. In the sixth, Ali tried to grab Inoki’s leg. Inoki brought his other leg up tripped Ali to the mat, and sat on his chest.
Ali didn’t even throw a punch until the seventh round. He continued to dodge Inoki’s feet, waving his arms and yelling at Inoki to “fight like a man.” Inoki knew better and stayed flat on the mat.
In the eighth, Ali’s manager Angelo Dundee asked that the boots on Inoki’s feet be taped. The shoe laces had cut Ali’s legs, and it was clear Ali’s legs were taking a brutal beating.
The match went to the fifteen round time limit and was declared a draw. Inoki would have actually won the match it not for losing three points on a foul. Angry fans in the Budokan chanted for their money back. The two men collected their pay day, and the sports press of the world left the match shaking their collective heads over the fiasco.
The match was an embarrassment for Ali, but the damage went far deeper than merely hurting his public reputation. Ali’s legs were in terrible condition, and the champ suffered two blood clots from Inoki’s pounding feet. “Ali is bleeding from the legs,” recalled Bob Arum. “He gets an infection in his legs; almost has to have an amputation. Not only the [Ken] Norton fight would’ve been not happening, but Ali could’ve been a cripple for the rest of his life.”
Ali refused to seek immediate medical treatment or to curb his schedule, which included exhibition matches in South Korea and the Philippines. After completing his Asian trip, he spent a few weeks in the hospital back in Los Angeles.
In September, Ali stepped back into the ring with Ken Norton. Although Ali won the match by unanimous decision, it was clear he was not the same man he once was. Ali had lost a step, and he would never again win a match by knockout.
Five years later, Ali hung up the gloves for good. Two decades in the ring took a sad toll on the former champ’s body, but in retirement, Ali continued to use his status as the most popular athlete in the world to fight for justice and world peace.
Ali didn’t shy away from future opportunities to be a part of the wrestling business. Bill Watts brought Ali in to appear at ringside with The Snowman for a match against Jake “The Snake” Roberts at the Superdome in New Orleans. Ali was also a guest at the inaugural Wrestlemania, appearing as the special guest referee in the main event.
Inoki continued to wrestle for another twenty-two years, a luxury afforded him because his sport was a work. In 1986 he managed to convince Leon Spinks, the man who took Ali’s Heavyweight Championship, into a mixed fighting match, a match Inoki won by pin fall. In 1990 Inoki, like Ali before him, converted to Islam. Inoki has also served his country as an elected member of the House of Councillors.
The battle between the world’s greatest boxer and Japan’s greatest wrestler may not have high regard in the memory of sports fans, but it foreshadowed a change in the fighting sports. While boxing has steadily declined in popularity and wrestling has seen its ups and downs, Mixed Martial Arts has become the rage. UFC, Bellator, and other MMA promotions are now making millions by pitting fighters with diverse backgrounds against one another. What was once seen as a novelty is now a weekly ritual for fight fans. MMA has even allowed some professional wrestlers, most notably Brock Lesnar, to show the world that not all professional wrestlers are mere actors.
While the Ali-Inoki match is not not at all acknowledged in Ali’s museum, there’s a very nice epilogue to their story. In 1998 Inoki faced Don Frye in the final of a series of matches dubbed the Final Countdown. In honor of his former opponent, Muhammed Ali flew to Japan to witness his former adversary’s last match. After the match ended, Ali climbed into the ring to hug the man who had become his friend. A representative for Ali read a message from the champ.
“It was 1976 when I fought Antonio Inoki at the Budokan. In the ring, we were tough opponents. After that, we built love and friendship with mutual respect. So, I feel a little less lonely now that Antonio has retired. It is my honor to be standing on the ring with my good friend after 22 years. Our future is bright and has a clear vision. Antonio Inoki and I put our best efforts into making world peace through sports, to prove there is only one mankind beyond the sexual, ethnical or cultural differences. It is my pleasure to come here today.”
While Ali vs. Inoki is looked upon by some fight fans with the same “reverence” Star Wars fans have for the 1978 Star Wars Holiday Special, it’s a credit to both men that the fight did not tarnish their reputations. Ali and Inoki are both Hall of Fame talents, two of the greatest who ever lived, and the impact they had on their respective sports will be felt for years to come. Some even argue that their confrontation helped to launch a fighting style that would challenge boxing and wrestling for supremacy forty years later, Mixed Martial Arts.
Ali vs. Inoki is a unique match in the annals of both sports. It deserves to be remembered for its novelty and its legacy, but like the aforementioned Star Wars travesty, it’s best not to look at it too long.
Kentucky Governor Matt Bevin surprised the wrestling world yesterday when he announced the creation of a new governing body dedicated to expanding fight sports in the Commonwealth. The Kentucky Boxing and Wrestling Authority (KBWA) will oversee boxing, wrestling, MMA, and other full-contact sports. The new website for the KBWA states the group’s purpose as follows:
“Our mission is to encourage the growth of professional boxing and wrestling in the Commonwealth, while protecting participants and spectators of the sports. We strive to improve the sports by thoughtful, reasonable and fair regulation and monitoring.”
Early reaction to the announcement was largely positive. One of the stated goals of the KBWA is to attract major wrestling events – i.e. WWE – back to Kentucky. WWE has not held a Raw taping in Louisville since 2010, and the last WWE pay-per-view held in Louisville was Judgement Day in 2000.
While the possibility of attracting a major WWE show is exciting, many are wondering what impact this new commission will have on independent wrestling. It’s no secret that Kentucky is one of the most restrictive states in the nation when it comes to regulating wrestling. Kentucky is one of the few states that governs wrestling as a legitimate sport, and the red tape involved with promoting and wrestling in Kentucky is staggering.
“The hardest challenge in getting licensed in Kentucky isn’t finding a venue,” says Rick Brady, owner of D1W. “It was putting up a $5000 bond to throw a show. Since I had insurance, I was never sure why was the bond necessary. Second, I had to fill out an application and wait for them to decide to even give me a hearing to get a license. Third, I had to go to the hearing, and even if I posted the $5000 bond, I was still not guaranteed they would approve me for a license.”
The Kentucky Athletic Commission is notoriously stingy about handing out licenses to promoters. Brady contends that the Commission will not allow two promotions to run in the same territory, much like the old days of the NWA, and no one is allowed to move in and compete with the licensed promoters.
Kentucky regulations are equally cumbersome for the wrestlers, and anyone who wants to work in the business. Anyone who steps on the other side of the barrier wall from the fans – wrestlers, managers, valets, ring announcers, time keepers, and more – is required to have a license, and everyone who has a license is required to pass a physical and be subject to random drug testing.
“There’s nothing random about the drug testing,” says Brady. “[The Athletic Commission] intrude in the locker room and disrupt the show by having guys randomly pee tested. There are no restrictions on this. They can test you 2 or 3 times a week, and they are very biased on who they select. One wrestler, who I will not name, refuses to wrestle in Kentucky because of the harassment he was receiving from the Athletic Commission. After being suspended in 2013, he cleaned up his life and was drug free to my knowledge. When he returned to Kentucky in 2015, he went through the application process and was granted a license. Then at every show he wrestled, he was forced to take a drug test. After doing this five weeks in a row, and passing every time, he never returned to Kentucky.”
If you’re curious why WWE, TNA, and other promotions generally give Kentucky a pass, it’s because these regulations and more (including one that states a match must stop immediately if there’s any blood) apply to every wrestling show in Kentucky.
“I think Louisville and Lexington are gonna push for relaxed rules on wrestling to get bigger events,” says PWF’s Jimmy Feltcher. “At the end of the day, money talks, and so will it be in this case.”
The new KBWA will likely cut away some of the red tape in order to incentivize the WWE to bring a major event to Louisville or Lexington, but the question remains: will the independent wrestlers and promoters see any relief? Wrestlers I’ve spoken to are largely optimistic, but the promoters remain skeptical.
“I’m curious to see committee treats the little guys because it seems like a play to bring WWE back to the city,” says UWA’s Eddie Allen. “WWE and TNA both left OVW as a development area. Plus Louisville Gardens becomes instantly attractive to a bigger fish group of people if red tape on events is cleared.”
“If Bevin wants to change it, change it,” says Brady. “Gut the current commission and let the new guys have a fresh opportunity to revitalize wrestling.”
It’s worth noting that the promoters I spoke with all run or have run promotions in Southern Indiana, immediately across the river from Louisville. At the present time, there are more than half a dozen promotions running in the Louisville area north of the river, including PWF, UWA, KDW, and one time Kentucky promotion IWA Mid-South. Odds are one or more of these groups would happily move South into Kentucky. We might even see wrestling return to the Gardens, if the stars align for the right investor and the right promoter.
It all depends on how the KBWA does it’s job. At the very least we may soon see some major WWE events come to town, bringing the money and visitors the governor hopes to attract. At best the KBWA has the opportunity to bring Kentucky into the 21st century, positioning wrestlers in the Commonwealth to join the independent wrestling revolution already sweeping the country.
Not every star who appeared on a card for the Allen Athletic Club was a national star. Heywood Allen and Francis McDonough brought many of the country’s biggest names to Louisville during the promotion’s 22 years, but they created many local legends along the way.
In January of 1949 Francis McDonough introduced Marvin Moore to the Tuesday night faithful at the Jefferson County Armory. Melvin “Buck” Moore was an eight year veteran of the Louisville Police Department. He was born December 2, 1916 in Lambert, OK and graduated from Louisville Male High School.
Moore served 33 years with the Louisville police department. He rode a motorcycle as a member of the traffic detail and also served as a detective. In later years Moore trained new recruits in skills such as hand-to-hand combat, and his students included OVW announcer Dean Hill as well as former Louisville Police Chief Doug Hamilton, who recalls that many of the moves taught by Moore bore a striking similarity to professional wrestling maneuvers.
Moore was instrumental in the founding of Louisville’s Fraternal Order of Police in 1960. He was also a cartoonist, and for twenty years he entertained his fellow officers with a series of cartoon strips.
Moore’s wrestling career spanned two decades. He was a fixture at the annual Police Benefit Shows in the 1950s, and he faced numerous opponents including Blacksmith Pedigo, Cherry Vallina, Freddie Blassie, Chris Zaharias, Frankie Bockwinkel, Bobby Bruns, Joe Millich, and fellow Louisville natives Stu Gibson and Mel Meiners.
Moore retired from the police force in 1974, when he put his artistic gifts to work as a sign painter.
I’ve written about Lord Patrick Lansdowne before. He’s the farm boy from Ohio who became a British aristocrat in wrestling trunks. Lansdowne was the first to don a cape and monocle and look down his nose at the unwashed masses who came to the matches. He was also the inspiration for Lord Leslie Carlton and Gorgeous George.
According to most biographies on Gorgeous George, George Wagner read about Lansdowne in Variety and found the inspiration for the character that would make him famous, but it now appears George Wagner had a much closer look at Lord Lansdowne than previously reported.
On August 31, 1937, George Wagner made his debut for the Allen Athletic Club in Louisville, Kentucky. Wagner defeated Dutch Schultz in one of the warm up matches while Lord Lansdowne (billed as Lord Finnegan; promoter Heywood Allen had a Vince McMahon-like thing for changing people’s names!) won the main event against Bert Rubi. Two months later the two appeared at the Columbia Gym a second time; Lansdowne defeated Bobby Bruns, and Wagner lost to Turpentine Grimes.
There are no photos in the Louisville Courier-Journal archives to show definitively that George Wagner from Atlantic City (as he was billed) was the man who became Gorgeous George, but Wrestlingdata.com shows that Wagner was working in Lexington, KY and Columbus Ohio in September of 1937 with many of the same wrestlers used by the Allen Club at the time.
Wagner worked a few more dates for Allen in September of 1937, and he likely crossed paths with the Ohio native a few more times. Whatever interactions they had in the locker room have been lost to history, but character Lansdowne created and George perfected continues to inspire wrestlers to this day.
I’m very happy to announce I’ll be giving my first live presentation based on Bluegrass Brawlers later this month in Owensboro, Kentucky.
The talk will be held at the Daviess County Library in Owensboro, KY on September 24 at 6 PM Eastern. I had the privilege of visiting the same library a year or so ago for a screening of a short film I wrote called The Telemarketer. It’s a gorgeous place, and they’ve got a full calendar with all sorts of special events and speakers. They even had an acclaimed independent horror film made inside that building.
I’ll be sharing stories about Ida Alb, William Muldoon, Ed “Strangler” Lewis, Heywood Allen, Jerry Lawler, Jim Cornette, Kenny Bolin, and John Cena. Over 130 years of wrestling history in Louisville.
The event is free, and I will have copies of the book available to purchase. If you’re a wrestling fan and in the area, I hope to see you there!